"Giulio Zanni and the images of a world in transition" inteview

April 23, 2020  •  Leave a Comment

From Sassuolo to the Balkans: Giulio Zanni and the images of a world in transition

An established author who decided to live in Skopje. “The camera captures my visions of reality”

Interview by Gabriele Bassanetti for “La Gazzetta di Modena”

From Sassuolo to the Balkans and a non-conventional career. Giulio Zanni lives in Skopje and works as political adviser for the European Union and is an international awarded photographer and author of books.

What is your photographic path

I developed passion for photography when I was a child. I started playing with the camera at 12. The attraction increased and started to go through the books of the giants from Magnum, Cartier-Bresson etc. My artistic maturity came relatively late and I believe as a consequence of various life experiences. As Ansel Adams said, photography is the sum of the books that one has read, the music that one has listen to and the people that one has met.

When did you leave Sassuolo? For how long have you been living in the Balkans and why this choice

After the law degree I studied international relations in Milan and then some work at the European Parliament in Brussels. But I wanted to be on the field, in conflict zones. So my adventure in Bosnia started few months after the signing of the peace treaty, when the guns were still hot. There I stayed for about twenty years, working for various international organizations like UN, OSCE and EU. Since five years I live in North Macedonia. I was going to the seaside in Yugoslavia with my parents when I was a kid. It represented the different closest to Italy. After Tito’s death, the powder keg exploded. The war was so close and at the same time so far from Italy. I am fascinated from the history of a period of my life: the period of terrorism in Italy, socialism in the East, punk, the fall of the Berlin wall…

You are also working for the European Union. How do you combine your work with photography

It would be too simple to say that one pays for the bills and the other feeds the soul, but it’s not like that. They are two important elements of my life and I draw satisfactions from both. Both my education and photography target realities in transition marked by deep social conflicts.

You prefer black and white and stationary objects. Is it a specific choice of style?

I am not interested in conventional reality, which I believe it’s empty of inherent existence. I consider myself as an artist which uses the camera as a tool to translate his visions into images. I am a fine art photographer, post-production is as much as important. I photograph for not having to explain and I deliver an image to the viewer who is free to react as he wants. I prefer architecture and I find buildings to be a perfect basis for departure for my artistic interpretations.

Can you explain the concept of your multi-awarded book “Spomenici and Brutalism”

In Bosnian/Serbian/Croatian, “spomenici” means monuments. Monuments built during socialism to celebrate victories and battles against nazism/fascism are still present all over the territory of former Yugoslavia and some of the neighboring countries, abandoned and left to the nature by governments in denial of their past. From an architectural point of view, I find these structures extremely fascinating, they look like as they were coming from a different planet. My book is the result of six years of work and weekends spent driving anywhere between Ljubljana and Skopje. However, this is not a documentary exercise. I used these monuments as a starting basis for personal interpretations while trying to attribute new artistic identities to these structures.

What are the results of which your most proud of and future plans

My photographic series received several international awards. The most prestigious are the gold awards in the professional category of the International Photography Awards and of the Prix de la Photographie of Paris. My photography has been an evolutional path. Everything is changing, in every moment.

Sassuolo would be a good subject for architectural photography with its abandoned and post-industrial buildings. Did you consider doing a work in your hometown?

Indeed. It’s a project which I ran through my mind several times. 



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